Infirmities of Time

As a new Gregorian year sets in, and as we start a new year of Arabic readings, this week’s passage of Ibn Mājid’s Fawā’id could not be more appropriate for a good reflection on the passing of time.

In one of his trademark digressions from the hard technical details of his craft, Ibn Mājid launches into a lengthy poem lamenting the swift passage of time, speaking of lovers in the night, turtledoves, wine and stringed instruments—all the usual imagery of medieval Arabic love poetry—“pierced by dawn and by the muezzin’s voice as if by an arrow.” All this, remember, at the end of a lengthy chapter on sailing seasons, and on the calendrical accuracy and traditional knowledge needed to travel safely across the Indian Ocean. And then comes his reflection after the poem,

“It may be that the monsoon (sailing season) too is afflicted by time with some illness which our minds cannot begin to grasp. Because it is said that every year the season comes later by a quarter of a day of the sphere.”

Layla Visits Majnun in the Palm Grove, page from a 16th-c. manuscript (Los Angeles County Museum of Art).

This ingenious return from the romance of the previous verses to the chapter’s subject matter gives us concrete scientific indications and also a cosmological subtlety.

The scientific indication has to do with the specific solar calendar used by the Arab pilots at the time. It is known that it was a variation of the Yazdgerdi calendar, itself a development of the Zoroastrian calendar, but it is hard to pin down exactly which variant. Here it seems clear that it was a calendar of 365 days without any adjustment for the extra quarter of a day (the tropical year has roughly 365 days and a quarter), and this explains the fact that the seasonal dates were shifting, one day every four years—a known feature of some of the early Persian calendars.

The subtlety has to do with the Arabic word ‘illah, translated here as “illness” and often meaning also a “cause”. Suffice to say that the three semi-vowels central to Arabic writing are called hurūf al-‘ilal, “causal letters” or “letters of infirmity”, corresponding to the Hebrew “mothers of the reading” (imot qeri’ah/matres lectionis)—by being “weak”, like “accidents” of the consonantal fabric, they make articulation possible; they are the efficient causes of articulation.

In this particular case, the infirmity is the ever-uneasy discrepancy between solar days and the solar year (why, oh why can’t the sun return to the equinoctial point in an exact number of days!?). But through this “weakness” in the astronomical fabric, how many changes are set in motion, and how much science has developed!

Ibn Mājid’s point is a sort of poignant physico-lyrical subtlety: the order of the world is full of such little ”cracks”, “weak spots” which are as discreet doors to the forces of causality. They are happy accidents, hotspots for discovery, invention, but also turning points away from every stability, and so unhappy and sad from the point of view of the contented lovers.

As we start a new year, here is to many happy accidents of invention and discovery to our readers and colleagues. Kullu ‘am wa antum bi-khayr! [JA]

Canopus: Gentle Celestial Key

Known in Arabic as Suhayl, Canopus is the second-brightest star in the night sky, second only to Sirius, and it has a cultural importance which it would be hard to exaggerate. In Islamic civilisation in particular, it is notable because the major axis of the Kaaba is aligned with its rising point.

As we read on through the nautical rhumbs, Suhayl has a prominent place, forming part of a diametrical pair which is closest to the poles. Suhayl would be practically a South Pole indicator, while its complementary opposites (al-Na‘sh, the Plough) would be North Pole indicators. Ibn Mājid explains: “Young and old among the people of the desert and the people of the sea, everyone knows Suhayl by sight.” And he adds: “Nothing is better than Suhayl to take altitude measures among what has been set in motion by the Turner of the Spheres (Tornator Caelorum, al-Dawwār). Southern peoples use it to unlock the routes to all of India and Arabia.”

Finding the South Pole,
approx. below the word “Cross” in the image,
between Canopus, Achernar and the Cross.

It is remarkable that the name Suhayl, a star of such mighty practical importance, should mean literally “the little easy-going one”. As a diminutive of sahl, it has a range of related meanings, all familiar names of gentleness. As we had seen with the Pleiades (Thurayyā, Soraya, Zorayda?), Suhayl has also the discreet yet pervasive distinction of being used as a personal given name; it is a common male name not only in Arabic, but in Urdu, Persian and Turkish as well.

This archaic, indeed pre-Islamic, custom of using star names for children makes you wonder about similar practices across cultures. Apart from Spanish Sol and Luna, Sun and Moon, which are used as girls’ names (in Arabic, Shams is for men while Qamar is for women), I can only recall literary characters like Lyra Belacqua (His Dark Materials) and Sirius Black and his family of Harry Potter’s characters. I wonder if our readers can tell us about other people named after celestial bodies? Not sure Arthur would count… Any Betelgeuses or Achernars you are acquainted with!? [JA]

Wipe Out; Learn; Repeat

Some of the lunar mansions, as we have seen before, are of no practical use, but only useful theoretically. That is, quite paradoxically, shiny objects in the sky which are important in spite of their invisibility. They are useful as “placeholders”, like the contours of a glass, perhaps, which are important as limits and containers.

Speaking of one such mansion, al-Na‘a’im, no. 21, Ibn Majid speculates of someone who might have devised a new personal method to use them for navigation, a method which then disappeared (yandarisu) after the inventor’s death, and he concludes: “There isn’t any good in altitude measures that are not put to use.” Let us dwell on the triliteral root (d-r-s) used for the “disappearance” of knowledge, because it combines two apparently opposite meanings of “erasing” and “learning”, and in so doing it illustrates key aspects of knowledge transmission. For example: dars means both “a lesson” and “effacement”—the image is that of the wind blowing signs on the sand, or a teacher wiping out a blackboard.

Like with a glass, where emptiness is a pre-condition of fullness, it seems that a certain kind of erasure is a prerequisite of learning. Science, understood as an accumulation of knowledge through the ages, is built on ignorance, we could say, and not only as an initial mythical tabula rasa, but as ever ascending and ubiquitous instances of unknowing. One apt image for this is the unknown sign, the x in an equation, “what is sought” (al-matlūb), in Arabic.

Another image is the vastness of space, which attracts the explorers and provokes their quests, time and again over the centuries. Two aspects of unknowing: the disappearance due to a break in the transmission is like a vacuum, sterile, an extinguished fire; while the burning “ignorance”, the open question, the “hope” for lands of legend, is an ever-receding horizon, like a plenum and a “matrix of all possibilities.” [JA]

Masters of One Language

Speaking of poetry, Ibn Mājid regaled us last week with a demanding passage in verse, though certainly not technical this time. It was a poem introduced as a “a riddle” (lughz), and purportedly about how nobility is related to elevation—we are still on a mainly astronomical section of the book, you see. It had some of the signature boasting of the author: “My name is like the radiant sun to which you entrust the direction of your way,” and yet it also played on quite a different level.

At the end of the cryptic verses, Ibn Mājid gives a hint and also issues a stern caveat: “This riddle is about that name which can only be understood by him who reads it with morphological knowledge, for it contains a fine point of language on the name Ahmad.” The hint about this name is welcome, because it is certainly not apparent in the text! and it has a double meaning: Ahmad is Ibn Mājid’s first name, but it is also recognised immediately by Muslims as an inner name of the Prophet, based on the same three letters h-m-d, from which derives Muhammad.

Ottoman calligraphy: between the names of God and Muhammad, the name Ahmad takes shape.

The caveat given is precious: it points to the fundamental need for thorough training in one canonical language. A pilot and a sailor of the 15th century could boast of his grammatical subtlety because mastery of a classical language was a given in a normal education.

Perhaps in our days we have reached a nadir of linguistic proficiency in academia, when the question of the need to learn languages other than one’s own is even asked. At all times and everywhere (like still in most of the world today), the rule was to move at ease between languages, because the living contact with ancient sources guaranteed a direct and profound experience of “grammar.” Even today, unlettered peasants in India can recite Vedic verses in Sanskrit, like Arab nomads the Qur’an or any Chinese villager Confucius’ Analects—so the anomaly is ours, and the relevant questions are Eliot’s questions: “Where is the wisdom we have lost in knowledge? Where is the knowledge we have lost in information?” [JA]